Heh. The BBC News audio player goes up to 11.
No way will this be as good as the original.
WarGames: The Dead Code
From the looks of it, they’ve taken the original plot and just substituted different teenagers, a different city, a new computer and… well, not much else. It’s more of a remake than a sequel.
No wonder it’s going straight to DVD. Release is expected in July.
And if that’s not to your taste, how about this rumour: Leonardo Dicaprio to play Nolan Bushell in a movie about the creator of Pong.
I can think of two examples where digital media has limitations which affect the fidelity of playback in a major way: with music it’s gapless playback, often noticeable on MP3 players and with CDs on some players. With DVDs it’s layer changes, again, worse on some players than others.
This shouldn’t be the case, of course. Digital media of course is meant to be better than analogue, in every respect. I don’t know if there are standards mandated in the relevant formats, but perhaps there should be… or at least some documented workarounds, such as recommending where DVD authors place layer-changes.
After all, these kinds of things can ruin the enjoyment of a movie or piece of music if handled badly.
Buzzmachine has a quick look at various online video hosters, and while he doesn’t come to any definite conclusion, does say blip.tv is one of the best for picture quality.
What I notice is that Motionbox won’t work without Adobe Flash Player 9, which effectively rules it out if you want corporate types to look at your stuff.
And Brightcove was not only complicated for Jeff to use, but gives me dire warnings about lack of bandwidth.
Personally I’ve used Google Video and YouTube. Both seem okay, but I’m looking for ease of use, not necessarily best quality.
Jeff Atwood tells us why he’s not buying an iPod.
It should be obvious why iPod doesn’t support WMA… because then you wouldn’t have to buy your online music from the iTunes Music Store.
At last a chance for those people who still have their old VHS originals safely in storage, not even daring to pop them into a VCR for fear they wear out, to get shiny discs to replace them. Sounds like George Lucas got sick of being upstaged by all the pirated versions out there.
Edward Jay Epstein explains that The thirsty moviegoer fuels the movie business.
There’s an economic imperiative to make the salty popcorn, and movies short with action which avoids gripping plotlines – and it’s driven by the theatre’s concession stand. Coke calls the shots in the film industry.
This explains it all. It’s not about the razors, it’s about the blades.
What is it with DVD authoring that the production houses can’t put the layer changes somewhere sensible, like preferably between scenes where there’s no sound? Looking through Michaeldvd.com.au’s reviews, they note a variety of stupidly placed layer changes:
- The Princess Bride — The layer change is at 49:58 – it is not a good layer change, because it interrupts the score, but it only lasts a moment. The R1 Special Edition has a far better layer change – it’s inside a silent black frame after Westley is knocked unconscious.
- O Brother, Where Art Thou? — The pause is a little jarring and noticeable
- Virus — This is during a natural fade to black, but it is still quite noticeable due to the interruption to the music.
With TV series on DVD, most authors do the sensible thing and put the layer change between the episodes. But sometimes, evidently from pure laziness, they just let it fall elsewhere.
- The Office — For some reason, the layer change does not occur between Episodes 3 and 4 (as I would have expected) but about 3:57 into Episode 4 (Title 4, Chapter 1).
- Some Mothers Do ‘Ave ‘Em volume 2 — This is an RSDL disc, and once again the DVD authors have inexplicably put the layer change within one of the episodes instead of between them.
- Empires-Peter & Paul and the Christian Revolution — This disc is RSDL-formatted, with the layer change occurring at 2:30 in Episode II – a crazy and infuriating place to put it when it could have more easily and logically been placed in between the two episodes.
Given it’s a well-known drawback of dual layer DVDs, surely it’s not that hard to put the change somewhere where it won’t be noticed. Crap layer changes really destroy the atmosphere of a movie or TV show, and show up a big flaw in what otherwise is a very satisfying and popular domestic playback medium.
After watching Sin City the other day I decided I didn’t want to wait.
What I want is a directors commentary that I can take to the cinema with me. I’d download it, throw it on the pod and listen to it in the cinema. I’m sure it would be great for repeat business; go once to watch the film, then again to listen to the commentary. It would be spoken word, you could play it soft and no one would hear it.